:41:01
It was a great example of how squash
and stretch works in animation.
:41:07
The rocking of the boat
was done first in 3D...
:41:10
and then followed the movement
of the boat as Sinbad reacts to it.
:41:15
The 2D effects addition. The snot bubble.
:41:19
Always a crowd pleaser.
:41:21
If you want to know
who came up with the carrots line...
:41:24
- sitting to my left, Mr. Patrick Gilmore.
- Don't say that.
:41:27
One of those things he said, and we said.
:41:29
"We can't put that in."
Patrick said, "Why not?"
:41:32
And we said, "Okay."
:41:34
And there it is. The carrots line.
:41:40
William's animation throughout on Marina...
:41:46
as the lead animator for Marina.
Just some beautiful, sensitive...
:41:49
thoughtful work on Marina.
:41:51
The hardest things
to do with a character are not...
:41:54
the action but the quiet, thinking moments.
:41:57
And none better than
what Marina's doing throughout the picture.
:42:01
She was kind of challenging to draw
as all the heroines...
:42:04
because she's a beautiful woman...
:42:06
and you don't have a lot of...
She's not caricatured...
:42:09
so you have to be very subtle.
:42:11
Pickles and eggs!
:42:17
Well, you get the idea.
:42:18
And then,
suddenly there was a fourth blade.
:42:21
It was Proteus.
:42:22
Again, this set we're about to go into
and freeze up...
:42:25
beautiful hints of the Granite Gates
that we're seeing.
:42:28
A little bit of Stonehenge...
:42:31
a little bit of the Tower of Babylon here,
it's just gigantic in scale.
:42:34
Getting the scale throughout the picture...
:42:36
was the job of the designers
and cinematography.
:42:39
Sam Michlap originally conceived
this set with...
:42:43
We first had snow on it,
then we had to peel the snow off...
:42:46
because we wanted Eris
to throw things into motion.
:42:51
But in setting up for an adventure to come...
:42:55
the tower was actually
a fun design piece to work on.