:45:02
and for Christ's sake,
stop crying, will you?
:45:03
we all know you can turn your
tears on and off like a tap,
:45:07
so turn them off, will you?
:45:10
well, bugger me,
:45:11
you really are crying
this time, aren't you?
:45:14
I can't say I wasn't moved,
:45:16
but you've got to learn to do it
:45:18
so that it seems real.
:45:20
seems to be real,
that's the art of acting.
:45:23
hold the mirror up to nature, ducky,
:45:25
otherwise you'll become a nervous wreck,
:45:27
take to drink
:45:28
and end up a piss artist
playing gin-sodden whores
:45:31
all over Scotland on number-3 tours.
:45:33
technique, that's what
I want you to learn.
:45:36
technique.
:45:42
I saw the light on. can I come in?
:45:45
yes, of course. is something wrong?
:45:48
no. you've been crying.
:45:51
no, no, just a bad dream.
:45:54
what is it, sweetheart?
:45:58
we picked up a couple of girls tonight.
:46:01
who did?
:46:03
tom and me.
:46:06
oh.
:46:07
tom made me promise I wouldn't tell you.
:46:10
he said you'd be furious.
:46:13
were they tarts?
:46:14
no, they're on the stage.
:46:19
Joan asked me if I could get her
:46:21
an understudy in your next play.
:46:23
yes, tarts.
:46:29
I just had to tell you.
:46:32
tell me what?
:46:33
I thought it was about time
:46:35
I found out what it was all about.
:46:38
Roger, what do you mean?
:46:42
love.
:46:44
love?
:46:50
it's not that great, really.
:46:53
I don't know why everybody
makes such a fuss about it.