1:19:00
all I want is for you to be happy.
1:19:03
you should talk this
over with your father.
1:19:06
mmm, daddy's worse than you are.
1:19:08
but he only acts one part, thank god,
1:19:11
and that's the
handsomest man in England.
1:19:12
then talk it over with
someone of your own age, then.
1:19:16
tom, for instance.
1:19:18
tom?
1:19:18
I thought you liked him.
1:19:20
no, I didn't like him at all.
1:19:27
you've dropped him, haven't you?
1:19:33
I...
1:19:35
I suppose I have, more or less.
1:19:38
good. he wasn't worthy of you.
1:19:45
Roger, do you think I'm getting old?
1:19:52
no, not you.
1:19:58
mmm, tom's little tart's
in your play, I hear.
1:20:06
by the way,
1:20:09
she's having a fling with daddy.
1:20:19
"how's your
cousin Millicent?"
1:20:22
and I said you were well.
1:20:24
he wanted to
know-- Michael,
1:20:27
I'm not happy
1:20:28
sitting beside her on the bench.
1:20:30
after all, it's miss Crichton's scene,
1:20:32
I think I'm too dominant here.
1:20:34
well, move if you want to, but where?
1:20:38
there, on the stool, with
my back to the audience.
1:20:42
all I am is a feed in this scene
1:20:44
and it--it
feels wrong
1:20:45
to be on equal footing
with miss Crichton.
1:20:47
I don't mind, really, miss Lambert.
1:20:50
no, no, no, no,
1:20:50
I'm uncomfortable. it feels ungenerous.
1:20:53
Michael, what if I'm discovered there
1:20:57
when the scene starts?
1:20:58
I could sit facing the swing.