:03:02
You satisfied?
:03:05
He's very good.
:03:08
He's not much of a singer.
:03:10
You never were.
:03:15
In the still of the night
:03:18
The words, I can't hear the words.
:03:21
While the world is in slumber
:03:28
What's the matter, can't he take direction?
:03:30
Cole, talk to me,
I'll pass your thoughts along.
:03:32
He can't hear you.
:03:35
In a musical,
everyone works for the composer.
:03:39
Times have changed. May I borrow this?
:03:42
Times have changed
:03:47
Never open with a ballad.
:03:49
This isn't one of
those avant- garde things, is it?
:03:52
It's got to be entertaining, it's a musical.
:03:55
And a love story, of course.
:03:58
A little unconventional, but honest.
:04:01
You're playing with my life.
:04:04
It's my show.
:04:06
Stead of landing on Plymouth Rock
:04:10
Plymouth Rock
:04:11
would land on them
:04:18
In olden days
:04:19
It's your life, Cole.
:04:21
Was looked on something shocking
:04:22
Oh, my God.
:04:24
It's an opening number, of course.
:04:27
It's the Berlins.
:04:29
lrving, Ellin.
:04:30
lrving gave me my start.
This is my whole life.
:04:33
There's Monty Woolley from Yale.
Look at Monty.
:04:37
That costume is all wrong.
He never wore that.
:04:39
That's all wrong. Change it.
:04:42
And black's white today
And day's night today
:04:46
L. B. Mayer and the gang from MGM.
:04:49
The Hollywood years.
:04:51
When folks who still can ride in jitneys
:04:53
found out that Vanderbilts and Whitneys
lack baby clothes
:04:58
Anything goes
:04:59
Boris and Jack.