:26:01
Open Spaces T's
and here is the schedule for the benefit.
:26:04
First up, cocktails.
Then, MaryJane...
:26:06
you introduce the marsh video,
background story, animals, plants and stuff.
:26:10
Angela, you speak. Marty speaks
for Huckabees. I speak. Then Shania sings.
:26:15
[ Screaming ]
:26:18
Shania Twain entertains us.
:26:21
- Hi, have we met?
- No. Vivian Jaffe.
:26:24
- Brad Stand.
- [ MaryJane ] She's a perspective from--
:26:26
- Albert Markovski.
- [ Group Groaning ]
:26:28
- Sorry, that's not gonna work.
- What's the matter with that?
:26:31
- How are you connected?
- Through an investigation.
:26:33
I worry about that guy. He alienates people.
What kind of investigation?
:26:37
Existential. I'd like to ask a few questions
if you don't mind.
:26:40
Actually we do. We do because
we've got to meet, and we're a little late.
:26:44
Sounds kind of interesting though.
Have you got a card?
:26:47
- Yes.
- I don't mean to give you a hard time.
:26:49
Existential? Is that
like a therapy?
:26:51
Okay, let's go, sneaky lady.
Let's step it outside.
:26:54
[ Albert ] I told you to stay away
from my work situation.!
:26:57
To solve your coincidence, we have to put it
into context. Brad Stand seems very important.
:27:01
So you come by Huckabees corporate and
say you're my fucking existential detectives?
:27:05
- I'm lucky if I last another day!
- We can solve your case sooner
if you're straight with us.
:27:10
I'm being straight with you.
Brad smeared me...
:27:12
and took the coalition
in a different direction.
:27:14
- That's straight.
- At Schottinger's photo archive
where you met Mr. Nimieri--
:27:18
Who's Mr.-- Who's that?
:27:20
- The African guy.
- That's the African guy from my coincidence.
:27:23
- This is what I wanna talk about.
- It wasn't your first time at Schottinger's, was it?
:27:27
- Did I say it was?
- You did. You agree it wasn't?
:27:29
Sure. It wasn't my first time.
Big deal.
:27:32
It was more like a regular thing with you.
And you weren't finding a still of Bob Dylan.
:27:36
You were planting photos
of yourself in the archive.
:27:38
- What are you getting at?
- Why would you do something like that?
:27:43
To be noticed.
Maybe urgently.
:27:47
- Maybe,yeah.
- Uh-huh.
:27:50
How did that affect things
with Brad at the coalition?
:27:52
How did it affect things at
the coalition? I don't know.
:27:55
You know, it was a drag.
It really was a drag.
:27:58
Because I wanted my poems to go out
with the fund-raiser mailing. Brad didn't.