1:26:00
Hey, Castor, why don't you look
at all the boys - the men, I should say -
1:26:05
and say bye to everybody.
1:26:07
- Bye, Castor.
- Thank you for coming.
1:26:10
- ls Daddy going bye-bye?
- No, your dada's staying here, OK?
1:26:14
Bye. See you.
1:26:16
So what's the deal? How does
everybody feel about what they heard?
1:26:21
Of course, lyrics will
definitely work in that feel.
1:26:24
- Yeah.
- That kind of intro bit that's on there.
1:26:29
What about you? What do you think?
1:26:32
Do you think it's good? Was there
anything in particular that you...?
1:26:37
No, I wasn't paying attention
that detailed.
1:26:41
That's just...
It's a lot of good stuff.
1:27:07
l can take you back, when me and him
were alone in my room, in 1981,
1:27:14
listening to New Wave
or British heavy-metal singles.
1:27:17
As soon as there was
somebody else in the room,
1:27:21
it just became this, like...
It just had a very different energy to it.
1:27:29
- None of that was usable?
- Yeah.
1:27:35
- That's a fuck... that's a fucking bitch.
- Let's do another version of it, OK?
1:27:42
The first time I got a real awareness of it
was when Mustaine came into the picture.
1:27:51
When James was with Mustaine,
he became like...
1:27:54
He never really cared about me.