:46:01
Richard Pilager cares
about the family.
:46:16
So, what did you see in him?.
:46:24
He was intense.
:46:27
You know, he cared about things.
:46:31
Oh, my God.
He used to-
:46:34
He used to write on the walls.
:46:36
- Like graffiti?.
- In the house.
:46:39
He'd be working on a story,
and he'd get so wrapped up in it...
:46:43
that he'd, like,
get a Magic Marker...
:46:45
and write all the names and important
facts all over the living room wall...
:46:49
and then he'd try
to connect the dots.
:46:52
Soyou had to live with it.
:46:56
The landlord
wasn't thrilled about it...
:46:59
but Danny always
painted over it.
:47:02
You know, he thought-
:47:04
This was when we were still at the
Monitor, when it was still political.
:47:10
He thought that journalists
should change things...
:47:13
you know, not just report.
:47:16
He wanted to be the referee
and not just the scorekeeper.
:47:21
I guess.
:47:24
When I was a press liaison
for Fred Loomis...
:47:28
we had a slogan
on the wall.
:47:30
It said, "You don't tell us
how to stage the news...
:47:33
and we won't tell you
how to report it"
:47:36
Terrific.
:47:39
Power is a locomotive, babe.
:47:41
You either hop on board,
or it runs right overyou.
:47:44
Sounds like he laid down
on the tracks.
:47:49
See ya.
:47:57
- Dinner at La Fonda?.
- Yeah.