:31:01
OK, so we've got the Tracys...
:31:07
in jeopardy in space.
:31:17
I always cut with the explosions.
:31:23
What was that?
:31:29
Look out...
:31:41
Added dialogue -
"We can get through to the silos".
:31:44
Again, it was not clear
where they were going, so it's...
:31:48
It's very interesting how you can clarify a story
:31:52
by adding dialogue off camera
while you're on someone else's shot.
:32:03
Mullion leaving with his two henchmen -
:32:06
two very, very patient stuntmen
who were with us throughout the picture.
:32:12
Big crane shots. Beautiful set.
This is one of our biggest sets at Pinewood.
:32:19
John Beard again -
not afraid of scale, colour, size...
:32:26
We were lucky enough to get the crane in here
so you can get some extreme angles.
:32:33
Now here's a missed shot.
:32:36
The reference is two ships
that we never see in a clean shot.
:32:41
By the time we realised that,
the Firefly and the Thunderizer had been...
:32:46
Actually, the set had been torn down, so...
:32:50
But here we introduced them.
:32:57
This is one of the great aspirational sections
of the picture