:50:02
and it was filled with plaster.
:50:08
So it gave it a sense of explosion as it collapsed.
:50:12
And all of the CG wasps,
which are wonderfully oversized,
:50:16
were created by the same team
that did the scorpion earlier on.
:50:21
This set is actually in the backlot at Pinewood,
:50:25
dressed with greens, ferns, et cetera.
:50:29
And the area that looks like a garage
that he's working in
:50:35
is a rebuilt section of the really big refrigerator,
:50:38
which you'll see in the next reel.
:50:43
So it wasn't the monstrous budget
of some action-adventure pictures
:50:47
so we had to reuse bits of set.
Again, John Beard, very clever.
:50:54
Arguably the best acting moment in the film
for these kids.
:51:01
Brady slips up and makes fun
of his friend's stutter.
:51:04
And it really stops your heart.
:51:09
And then Soren stands up to him.
:51:14
Alan doesn't apologise, and we're off.
:51:17
Very nice moment in the middle of all this action.
Get a load of that wasp on his face.
:51:22
Peter King, who did the makeup,
:51:24
has book-end Academy Awards
from Lord Of The Rings.
:51:29
He created those great welts
that are on Mullion's face.
:51:33
This poor guy, in the Seychelles,
dressed in black from head to toe,
:51:38
with armour in 120-degree heat.
:51:42
And didn't complain, God bless him.
:51:45
A lot of these shots are totally combs.
:51:51
Combinations of green screen,
:51:54
in which the kids were on wires on this hoversled,
:51:59
plate shots from the Seychelles that we sped up,