:15:01
You wanna talk to her.
You best wait till after the show.
:15:03
Bee-yatch!
:15:06
What are we gonna do?
They're making her perform.
:15:09
I'll handle this.
:15:17
Itchi gitchy ya-ya da-da
:15:20
Mocha-choca-latta ya-ya
:15:25
Creole Lady Marmalade
:15:31
Voulez-vous coucher avec moi
ce soir?
:15:34
Voulez-vous coucher avec moi?
:15:38
We come through with the money
and the garter belts
:15:41
Let 'em know we 'bout that cake,
straight out the gate
:15:42
We independent women,
some mistake us for whores
:15:44
I'm sayin', why spend mine
when I can spend yours
:15:46
Disagree? Well, that's you,
and I'm sorry, I'ma keep playin'...
:15:50
This ain't no damn negotiation.
We got a contract.
:15:52
You're making a mistake here,
believe it.
:15:53
You want your money, you better
get your ass out there on stage.
:15:56
I ain't doing this.
You gonna perform or not?
:15:57
How about not?
:15:59
Hi, honey.
:16:00
Hiya, Chil.
:16:02
We were just talking
to your friend Linda here
:16:03
about the kind of Spice Girl cash
she can make if she stays with the Chicks.
:16:07
Well, I can see
by the dressing room
:16:09
that it's just a preview
of good things yet to come.
:16:13
At least we can afford to record her.
:16:16
Don't think I don't know
that NTL is broke.
:16:18
Come on, honey.
Let's go.
:16:20
You know what?
This is bullshit.
:16:22
You wanna go?
After all I did for you?
:16:26
Fine. But let me tell you
something, sweetheart.
:16:29
- You're a dime a dozen.
- That's right.
:16:31
We got gigs lined up,
recording sessions scheduled.
:16:34
There are dozens of girls
who are dying to take your place.
:16:37
Here. You want her so bad,
you're gonna need this.
:16:41
What is this?
:16:44
It's where Linda's contract is.
:16:47
Are you trying to set me up, Nicky?
:16:49
I don't go by that name anymore.
:16:51
Then why don't I call you Joe Loop?
:16:53
Seeing how he doesn't
use his name anymore, either.
:16:55
What are you talking about?
:16:57
Nicky, look at me.
:16:58
Do you even know
where Joe Loop is?