:26:01
"Jealousy is not the fear of losing
:26:04
"but the fear of dividing."
:26:10
Przybyszewski feels differently.
:26:12
He believes that no man
should possess another human being
:26:15
and has even offered the key
of his apartment to Strindberg,
:26:19
so that he may avail himself of
Przybyszewski's common-in-law wife.
:26:24
Strindberg has declined.
:26:29
Przybyszewski tells Munch
:26:31
that he believes sex
:26:33
to be life's basic substance and
the inner essence of individuality,
:26:38
the ever-creating,
the transforming and the destructive.
:26:43
Sex created the brain,
says Przybyszewski,
:26:46
but between them there will
always be a constant fight
:26:50
that will inevitably lead
to death and destruction.
:27:02
I feel better now.
May I look out the window?
:27:14
Working simultaneously
on themes of love,
:27:16
pain, despair and death,
:27:20
searching for the ever-elusive
artistic solution
:27:23
to the expression of his feelings,
:27:26
Edvard Munch turns now to tempera,
:27:29
the use of egg-white
to roughen the quality of the oil,
:27:33
to flatten and condense the image.
:27:36
He begins a new canvas
depicting the death of his sister,
:27:40
one of a series to deal with
the grief and isolation of his family,
:27:46
of himself.
:27:52
God bless you, my child.
:27:56
Munch depicts himself,
his brothers and sisters,