Edvard Munch
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:40:00
"I look. I look.
:40:03
"I must have come to the wrong globe.
Everything is so strange."

:40:11
In late 1893, using pastel
on a base of cardboard,

:40:16
Edvard Munch creates The Shriek.
:40:23
December 1893.
:40:25
A gallery on
the Unter den Linden in Berlin.

:40:28
Edvard Munch's 24th exhibition.
:40:32
Amongst the works exhibited,
are 5 of his Life Frieze,

:40:36
listed in the catalogue
under the title

:40:38
Studies for a Series on Love.
:40:42
I placed the paintings together
and it was as though

:40:45
each painting was connected
to the others.

:40:50
Then there came a tone, a musical tone
linking the pictures together.

:41:00
So, if a relationship between
two people is to be sound

:41:06
and I think it can be so
:41:09
even if not forever,
:41:12
it must be based
on mutual regard,

:41:19
on tolerance.
:41:25
In the words of Oskar Kokoschka,
the Austrian Expressionist painter,

:41:31
"It was given to Edvard Munch's
deeply probing mind

:41:36
"to diagnose
:41:37
"panic dread
:41:39
"in what was apparently
social progress."

:41:51
One member of the public
writes in his catalogue

:41:54
that the exhibition is
"the world's greatest swindle.

:41:59
"Junk! Take it all
the insane asylum."


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