:28:04
Who's Miriam?
:28:06
Me. Is there anything else,
anywhere?
:28:08
Did you see a file?
:28:12
There's no name.
:28:17
Mamie, we'd better go.
:28:18
Hey, wait, wait, wait.
Is that sentimental?
:28:22
Not really.
:28:23
Let's trade.
He'll never know the difference.
:28:27
Thank you.
:28:30
Whoa! What the fuck is this?
:28:33
- No, no!
- What are you doing here?
:28:35
It's OK.
I followed you today. It's OK.
:28:37
You think you're gonna
beat it out of me? I can't believe you!
:28:40
My God, Nicky, no.
It's nothing like that, no.
:28:43
What's he doing here, then?
:28:48
He's your new documentary.
:28:51
OK? Javier, this is Nicky...
:28:53
the director
I was telling you about.
:28:57
He's an immigrant, OK?
From Mexico. And...
:29:01
he was in gangs.
They had gangs there, all right?
:29:05
And he crossed the border...
:29:07
so that he could put his life
back together in the States.
:29:12
It's the American dream.
:29:14
OK? It's good.
:29:18
Is that it?
:29:20
That sucks!
You think that's as good...
:29:22
as a mother finding the kid
she ditched?
:29:25
All right, well,
if you're not interested in that--
:29:27
No, I'm not interested, OK?
We're done.
:29:31
I can get into AFI some other way.
:29:33
I can shoot...
:29:35
me getting into AFI.
That'd be a good--
:29:38
- Just get the fuck out of here.
- All right, all right, we'll go.
:29:40
So--But we'll work out
another deal.
:29:42
No, you've got nothing to offer.
I got nothing to sell.
:29:45
It's cool, man, OK? We get it.
:29:46
OK? We couldn't think
of anything better, but you're right.
:29:50
Who wants to see a movie
about a sex worker?
:29:54
What?
:29:56
A sex worker. That's what I do.
:29:59
Massage, the works, you know?