Melinda and Melinda
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:58:01
which anyone who knows me
knows is a baseless canard.

:58:05
Lee, I knew this would happen.
:58:08
You did? Well, why didn't you tell me?
:58:11
I'm angry and disgusted.
I mean, Christ, can you blame them?

:58:14
Thank you for the emotional support.
I'll see you around.

:58:23
- Hey.
- Hi.

:58:26
- You all right? You seem a little glum.
- Lee got fired.

:58:32
What happened?
:58:33
It was the producer.
They'd always wanted a name.

:58:36
- They got nervous cos ticket sales were slow.
- I'm sorry.

:58:40
- I know the realities of the marketplace.
- Yeah. So, what are you gonna do?

:58:44
I don't know if I should feel sorry for myself
or shop to blot out my depression.

:58:48
- Neither. Come with us.
- With you?

:58:50
Sure. I'm taking Melinda
to a recording session. Bartók.

:58:54
- No...
- It'll take your mind off things.

:58:56
- You love Bartók. They're doing a quartet.
- You remembered?

:59:00
- Come on.
- Do I have time to change?

:59:03
- You look fine. Look at me.
- I feel so grungy. I've been working all day.

:59:07
- All right, but hurry, then we'll get a coffee.
- OK.

:59:35
- It's beautiful, isn't it?
- They're so good.

:59:38
I could never decide between the piano and
the cello. The result is I play them both badly.

:59:43
- And the viola.
- I heard you play the piano. You're good.

:59:46
- No.
- Yes.

:59:47
Full of feeling.
You have a lovely touch of the keys.

:59:51
I can see a person's soul
by their intonation on an instrument -

:59:54
- keyboard, horn or strings. I can. It's a gift.
- You saw my soul?

:59:58
Right off the bat. That first party,
when you sat down next to me to play,


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