:43:03
All except for Cain and Abel
:43:07
And the Hunchback of Notre Dame
:43:12
Everyone is either making love
:43:15
or else expecting rain
:43:19
And the Good Samaritan, he's dressing
:43:23
He's getting ready for the show
:43:27
He's going to the carnival tonight
:43:31
on Desolation Row
:43:35
- I want to see this person immediately.
- What?
:43:37
Whoever's gonna shoot me.
:43:41
How do you find that out, Albert?
:43:47
Phoned the box office
and they say they're gonna shoot me.
:43:50
Do they do this often?
:43:52
I don't mind being shot, man,
but I don't dig being told about it.
:43:58
Man, I can't believe that.
:44:00
- Don't worry, Mickey. I'll protect you.
- I hope so.
:44:04
God.
:44:08
Don't tell me not to push too hard, man.
I'm worried about getting shot.
:44:12
I'm not gonna push too hard.
:44:28
Obviously, he was channeling
Woody Guthrie.
:44:31
He was literally channeling him
and everything about him.
:44:33
And I think it was part of his way
of finding who he was in the end...
:44:38
by imitating and assimilating Woody Guthrie.
:44:44
So I found out where Woody Guthrie was,
and I took a bus out to Morristown.
:44:48
Basically, I think it was an insane asylum.
:44:51
I thought about it later, it was a sad thing,
they put him in a mental home...
:44:54
because he just had the jitters.