:35:01
Draw conclusions on the wall
:35:08
Some speak of the future
:35:12
My love she speaks softly
:35:15
She knows there's no success like failure
:35:18
And that failure's no success at all
:35:23
Do you care about what you sing?
:35:26
How could I answer that
if you got the nerve to ask me?
:35:28
Well, then you have...
:35:29
I mean, you've got a lot of nerve
asking me a question like that.
:35:32
Do you ask the Beatles that?
:35:33
I have to ask you that, because you have
the nerve to question whether I can...
:35:37
I'm not questioning you,
because I don't expect any answer from you.
:35:40
But do you think somebody wouldn't go see
somebody if they didn't want entertainment?
:35:44
In the dime stores and bus stations
:35:47
We showed him the first rough cut.
:35:49
What he saw must have made him look like
he was bare bones...
:35:53
and I think that was a big shock to him.
:35:55
But then he saw, I think the second night,
he saw that it was total theater.
:35:59
It didn't matter.
:36:00
He was like an actor,
and he suddenly had reinvented himself...
:36:04
as the actor within this movie,
and then it was okay.
:36:08
That's what he's good at,
is getting used to the way things are.
:36:11
I mean, he understands
that time changes everything.
:36:14
They didn't light places,
they didn't have to stop filming.
:36:17
If you ran, they ran.
:36:19
If you went in a room,
they went into the room.
:36:22
And you know, at a certain point,
you just became oblivious to that.
:36:45
I was young, and I had expectations.
:36:48
And wanted to be where the action was...
:36:50
and I should not have been there
at that time.
:36:53
Everybody was having a wonderful time
and they were all smashing things up...
:36:57
in the hotel room, and I was
this weird square over in my room...