1:04:01
And I guess it was more of, like,
that was his way of saying...
1:04:05
"You're not paying,
you don't wanna work...
1:04:08
and you're not gonna get good. "
1:04:13
Maybe Paul honestly saw me
as a lost kid...
1:04:16
and that he felt like
he should give me help...
1:04:18
'cause I was a pretty fucked-up kid.
1:04:21
So, I mean, do you... do you miss it?
1:04:23
Do I?
1:04:27
I do, but not to the extent
that I'd ever go back.
1:04:31
I feel like that part
of my life is over.
1:04:35
One, two, three.
1:04:39
One, t... Listen to me.
One, two, three, four.
1:04:44
There it is. Okay?
It's not on four. It's on four and.
1:04:47
One, two, three, four.
1:04:50
No! Why are you hitting that
before the song?
1:04:53
This is my, on so many levels,
was sort of my little reward.
1:04:57
One, two, three, four.
1:05:02
And now this is sort of
the end point.
1:05:05
This is, "Look at the work
I've done with these kids. "
1:05:08
Sing it into the mike!
Sing into the mike!
1:05:12
That's not an unimportant
part of the song.
1:05:14
That's the shining moment.
Who told you not to play that?
1:05:17
Everyone's sick
of keyboard girls over there.
1:05:19
We gotta raise the ante.
We're going to Germany.
1:05:23
And, you know, I get to
put them on stage...
1:05:25
in front of people who know
and understand this music.
1:05:29
And I have a feeling that
we're gonna be the best act there.