:42:02
-l've changed my mind, Prudence.
-Oh, come now, get dressed. l'll wait.
:42:06
No, no, no.
Look, how do you spell ''apology''?
:42:09
Good gracious, how should l know?
l'm no scholar.
:42:13
Even so, you've been living in Paris.
:42:15
Six years ago, l couldn't even
write my own name.
:42:18
Here's a letter which just came.
:42:22
Perhaps Nanine knows how
to spell ''apology.''
:42:24
She asked me that once before today.
ls it the same apology?
:42:33
Oh, don't bother. lt isn't necessary now.
:42:36
lf that young man has made you unhappy,
he's the one who should spell ''apology.''
:42:48
lt's all my fault.
:42:51
He's going away, Prudence.
:42:53
Stop your nonsense. He won't go.
They never do.
:42:57
No, l think he means it.
And perhaps it's better.
:43:02
But he had no right to write
such things to me.
:43:04
Of course he didn't. Now, come along.
Let's go to the theater.
:43:07
But first you'll stop at his place
and find out if he's really going away.
:43:18
Why on earth does anyone
live four flights up?
:43:21
-You've come with a message.
-Yes, l've got to sit down...
:43:23
...before l can talk.
:43:25
-From Mademoiselle Gautier?
-Yes.
:43:27
Girl's a fool.
:43:29
She wants to know if you're really
starting out to see the world...
:43:32
...as you wrote her yesterday.
:43:34
-Yes, it's true. l'm leaving in the morning.
-Good.
:43:37
You and Marguerite are safer apart.
:43:45
Didn't l tell you to wait in the carriage?
:43:51
Oh, so you really are going away,
Armand Duval?
:43:53
Yes.
:43:57
Wait down in the carriage
yourself, Prudence.
:43:59
Oh, very well,
since l'm not wanted here.