:30:01
Look at it. It gIitters.
:30:03
I do not deny its beauty,
but it's a waste of eIectricity.
:30:08
What a city.
:30:09
There are the grand bouIevards
bIasted out of the heart of the oId city.
:30:13
The Arc de Triomphe,
buiIt to greet NapoIeon's army.
:30:15
The Opera. Montparnasse. Montmartre.
:30:20
And now, I'II show you
the greatest attraction of aII.
:30:24
It'II cost me a franc, but it's worth it.
:30:27
The most unique spot in aII Paris.
ReaIIy, I'm not exaggerating.
:30:30
It's wonderfuI. It's charming. It's....
:30:33
PIease.
:30:38
What do you see?
:30:40
I see a house. Looks Iike any other house.
:30:43
-What's remarkabIe about it?
-It's not the structure.
:30:46
It's the spirit that dweIIs within it.
:30:48
It has three rooms and a kitchenette
dedicated to hospitaIity.
:30:52
-So it's your house?
-Let's say I Iive in it.
:30:56
It's such a pIeasant IittIe pIace.
It has aII the comforts.
:30:59
Easy to reach,
near the subway, bus, and streetcar--
:31:02
-Does it mean you want me to go there?
-PIease, don't misunderstand me.
:31:05
-Then you don't want me to go there?
-No.
:31:08
I didn't say that either.
Nothing wouId pIease me more.
:31:10
Then why don't we go?
:31:12
You might be an interesting
subject of study.
:31:16
I'II do my best.
:31:25
-Good evening, Gaston.
-Good evening, monsieur.
:31:27
-Is this what you caII the ''butIer''?
-Yes.
:31:30
Good evening, comrade.
:31:32
This man is very oId.
You shouIdn't make him work.
:31:35
He takes good care of that.
:31:36
He Iooks sad. Do you whip him?
:31:38
No, but the mere thought
makes my mouth water.
:31:41
The day wiII come when you wiII be free.
:31:43
Go to bed, IittIe father.
We want to be aIone.
:31:47
PIease.
:31:49
Count d'AIgout,
there have been severaI teIephone caIIs.
:31:52
Go to bed, IittIe father.