:09:01
a little rough sketch,
and then he just scribbled over it.
:09:06
He said, "l want the smoke
to come in like that. ''
:09:08
And l thought, well,
of all the directors l had worked with,
:09:12
this was the first time somebody
not only told me what they wanted,
:09:16
but showed me.
:09:18
(Alarm Blaring)
:09:28
The paint shop!
It'll go up like dynamite!
:09:30
- Here, take this one.
- What about me? Don't I get to play?
:09:34
What l remember is that Hitchcock
cast as the victim of this fire,
:09:39
a man named Virgil Summers,
:09:42
and Virgil Summers
was the best boy on the crew.
:09:48
He was not an actor.
:09:50
Hitch took a look at Virgil,
and he thought,
:09:53
"This man looks like the perfect
worker in an aircraft factory."
:09:57
And he did.
He was young, wonderful-looking guy,
:10:01
and he played the fellow
who was killed in the fire.
:10:16
The picture has some
fascinating sequences.
:10:21
It has a very good scene
with Murray Alpert
:10:24
as a truck driver.
:10:26
l never see anything happen.
:10:27
I don't even hear about anything,
:10:29
Except what my wife tells me
she sees in the moving pictures.
:10:32
That's the way she spends the money.
Moving pictures and new hats.
:10:35
Buys a hat.
Takes it off in the picture.
:10:39
There was a wonderful scene
with the circus people.
:10:42
l loved Pedro de Cordoba,
:10:44
who was a very fine
Shakespearian actor,
:10:48
who played the master
of the rebels, so to speak.
:10:52
Ah, stowaways.
:10:54
In the middle of this desert sea,
we acquire two more vagabonds.
:10:57
And between him