:15:03
and it gave him a strangeness
and a threat.
:15:09
Hitchcock, of course,
always did a little cameo.
:15:13
He elected to do one in Saboteur.
:15:17
He took his secretary at the time,
:15:21
and the cameo he worked out is
:15:24
they walked down the street
:15:29
and they played deaf and dumb people.
:15:34
And Hitchcock
did different deaf and dumb
:15:38
signs with her,
and she slapped him in the face.
:15:43
Meaning he had made
an indecent proposal.
:15:46
Carol Stevens was her name,
the secretary,
:15:49
and they walked along and they...
(Laughs)
:15:52
He's going that way, you see.
:15:54
And bam! She hits him.
:15:57
But,
:15:58
it's not in the picture,
:16:00
because the powers that be
:16:03
felt that it was
not a proper reflection
:16:06
of people who were handicapped.
:16:09
Having been defeated, if you will,
:16:12
on his very imaginative cameo,
:16:16
he ended up
:16:18
just making an appearance
standing on the street.
:16:22
lt didn't have the colour,
shall we say, of his original concept.
:16:31
How about Brooklyn tomorrow?
Do you want me on the job?
:16:33
When are you going to learn
to keep your mouth shut?
:16:36
- Sorry. I thought he was in on it.
- Shut up!
:16:38
(Man) Here we are
at the Brooklyn Navy Yard.
:16:39
lt's rather a windy autumn day,
but it's a pretty good day for a launch.
:16:43
l guess any day is a good day
for a launching in these times.
:16:47
(Lloyd) l always loved to move .
:16:51
ln the theatre l loved to move
:16:53
and Hitch permitted me to do that.
:16:56
And when we did this scene
in the truck,
:16:58
which was around the button
that would blow up the ship,