:10:00
partially visible in these photos,
:10:03
inserted into his nostrils,
then pulled taut and hidden by putty.
:10:07
According to cameraman
Charles Van Enger,
:10:10
the device often caused
significant bleeding.
:10:13
Well, it was pretty ghastly.
:10:16
And when he was unmasked, so to speak,
:10:22
it was a real shock.
:10:25
For Carl Laemmle's niece, Carla, who
lived with her parents on the back lot,
:10:29
life at Universal was never more exciting
than during the production of Phantom.
:10:34
When I was 16 years old, they were
making The Phantom of the Opera,
:10:39
and I was chosen
to be the prima ballerina,
:10:42
which was quite a big thrill to me.
:10:51
Phantom's director
Rupert Julian was also thrilled.
:10:54
After ten routine years as an actor
and director with Universal,
:10:59
the former Percival T Hayes,
son of a New Zealand pub owner,
:11:03
had landed in clover.
:11:05
Having replaced Erich von Stroheim
on Merry-Go-Round,
:11:09
which had also starred Mary Philbin
and Phantom leading man Norman Kerry,
:11:13
Julian was now the studio's star director.
:11:17
Dignified, sartorial,
:11:19
with an impeccable waxed moustache,
:11:22
he was very, very strict -
:11:24
and also very mediocre.
:11:26
Almost immediately, Rupert
alienated crew and cast alike.
:11:30
Phantom cameraman Charles Van Enger
:11:33
personally recounted the details
to film historian Rudy Behlmer in 1962.
:11:39
The eyes went heavenward,
:11:41
and he said that Julian and Lon Chaney,
after the film had started production,
:11:46
did not get along at all.
:11:48
And, in fact, it got to a point where
:11:51
Mr Van Enger was a kind of go-between,
:11:55
and the two of them didn't speak.
:11:58
With Van Enger the messenger boy,
Chaney sent word to