:29:00
She has a kind of blindness.
:29:03
But she's rather touchingly handled.
:29:05
Your heart breaks for her.
:29:07
She's almost desperate
to remember that past,
:29:10
to remember that childhood
that was evidently idyllic.
:29:13
Both she and Uncle Charlie
have a tendency to glamorise
:29:18
and romanticise the past,
:29:20
which is what those shots of the
Merry Widow dancers call to mind,
:29:25
another era, a more romantic period.
:29:29
But I want you all to know that
I'll always think of this lovely town
:29:34
as a place of hospitality and kindness.
:29:38
And homes... homes.
:29:42
But I can't bear it if you go, Charles.
:29:44
(Bogdanovich) She's one of the
most touching characters in his work.
:29:49
It's just the idea
that we were together again.
:29:54
I'm sorry.
:29:55
(Bogdanovich) Because she's
so crazy about her brother,
:30:00
it makes you feel worse
about bringing Cotten down
:30:03
because you feel,
"What's that gonna do to the mother?"
:30:06
"It's gonna be very rough on her."
:30:10
- Goodbye, Joe.
- Goodbye, Charles.
:30:13
- Goodbye, Emmy.
- Goodbye.
:30:15
Don't forget to write.
:30:17
I will. You write too.
I'll send you my address.
:30:26
Goodbye.
:30:29
When we did that scene on the train,
:30:31
I don't believe he... he had it
choreographedin his head exactly.
:30:36
He just had us struggle.
:30:38
The train's moving, Uncle Charlie.
:30:40
Listen, Charlie.
:30:42
I want you to forget all about me.
Forget that I ever came to Santa Rosa.
:30:48
Your hands.
:30:51
Let me go, Uncle Charlie!
:30:53
Let me go!
:30:55
(Wright) I had to pull back and
put my feet in a certain way
:30:59
and hold on in a certain way.