:30:00
it makes you feel worse
about bringing Cotten down
:30:03
because you feel,
"What's that gonna do to the mother?"
:30:06
"It's gonna be very rough on her."
:30:10
- Goodbye, Joe.
- Goodbye, Charles.
:30:13
- Goodbye, Emmy.
- Goodbye.
:30:15
Don't forget to write.
:30:17
I will. You write too.
I'll send you my address.
:30:26
Goodbye.
:30:29
When we did that scene on the train,
:30:31
I don't believe he... he had it
choreographedin his head exactly.
:30:36
He just had us struggle.
:30:38
The train's moving, Uncle Charlie.
:30:40
Listen, Charlie.
:30:42
I want you to forget all about me.
Forget that I ever came to Santa Rosa.
:30:48
Your hands.
:30:51
Let me go, Uncle Charlie!
:30:53
Let me go!
:30:55
(Wright) I had to pull back and
put my feet in a certain way
:30:59
and hold on in a certain way.
:31:01
Joe would have to try
to push me off in a certain way.
:31:04
And then, after having
gotten the master shot,
:31:06
he would come in and do close-ups
on wherever our hands and feet were.
:31:15
Sometimes people say, Boy, that was
a pretty good shove you gave him."
:31:19
It wasn't really that she pushed him,
but he was trying to push her,
:31:22
and in resisting him,
at one point in the struggle,
:31:26
it just happens that he falls.
:31:37
It was very effective.
:31:39
It was kind of horrifying.
:31:41
It's really hard to go on
with the story after that.
:31:45
You know?
:31:47
You had to end it.
:31:49
You couldn't end with his death,
:31:52
and you didn't
want to end with a funeral.
:31:54
So I think the only thing he could do
was the scene outside the funeral,
:31:59
and try to say something about life
and what his life added up to.