Wing and a Prayer
prev.
play.
mark.
next.

:16:02
you get
on shipboard.

:16:03
But our squadron's
different.

:16:05
We'll have
fresh vegetables.

:16:06
How come?
:16:07
How?
:16:09
You going to plow up
the flight deck?

:16:12
No, I'm not kidding.
:16:13
We'll have
some fresh celery,

:16:15
real juicy tomatoes,
green onions--

:16:17
What are you going
to use for dirt?

:16:19
Water and chemicals.
:16:21
That's the agriculture
of the future.

:16:22
Ya-hoo!
:16:25
Hey, fellows!
:16:26
Look!
:16:27
Get a load of this!
:16:29
Wait a minute!
:16:31
Hey, wait!
:16:32
Now don't do that.
:16:33
You did it!
:16:35
It shows it right there.
:16:37
You kissed Betty Grable.
:16:38
If I didn't see it,
I wouldn't believe it.

:16:41
Did you
ever kiss Garbo?

:16:42
I've never seen her.
:16:43
When you're in a picture
:16:46
and you have
to kiss Betty Grable--

:16:49
Listen to me--
have to--

:16:50
When you kiss her,
what's it feel like?

:16:53
Ah, let it lay.
:16:55
I'm serious
about this, Oscar.

:16:56
I really mean it.
:16:57
I mean, do you feel
anything at all,

:17:00
or is it all just
part of the day's work?

:17:03
Does she breathe deep?
:17:05
Does she kiss you
or you her?

:17:07
Does she kiss back?
:17:08
What I want to know is,
:17:10
how does it make
you feel?

:17:12
The rest of us can only dream
about those girls,

:17:16
but you've
actually kissed them.

:17:18
What's it like?
:17:20
Well, it's, uh...
:17:22
it's like nothing
else in this world.

:17:25
- Ahh.
- Ahh.

:17:27
I'll never forget
that first girl

:17:29
I kissed in a picture.
:17:31
Who was it?
:17:32
Yeah. Who?
:17:33
You think
I'd kiss and tell?

:17:35
In a wardroom?
:17:36
Come on, Oscar.
:17:38
Well, it's, um...
:17:41
The night before
the scene was to be shot,

:17:43
I didn't sleep.
:17:45
I lay awake all night,
:17:47
just daydreaming
about that kiss.

:17:49
How do you
daydream at night?

:17:50
Quiet.
:17:51
Well, how do you?
:17:54
The next morning
:17:55
I got to the studio
an hour earlier,

:17:57
got into my wardrobe,
:17:58
dashed over to the set.

prev.
next.