Sunset Blvd.
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:23:02
I want to say how happy I am to be
in the studio making a picture again.

:23:07
You don't know how I've missed you.
I'll never desert you again.

:23:14
Because after "Salome" we'll make
another picture and another.

:23:18
You see, this is my life. It always
will be. There's nothing else.

:23:24
Just us and the cameras
:23:28
and those wonderful people
out there in the dark.

:23:34
All right, Mr DeMille,
I'm ready for my close-up.

:23:37
What this film is truly about
is a very, very huge theme,

:23:44
which is universal.
:23:46
That is opportunism
and its consequences.

:23:51
Everyone in it is, to some degree,
an opportunist.

:23:55
That's a polite way of putting it.
:24:00
The nature of this business
:24:03
is the exploitation of people
:24:08
and its consequences.
:24:10
It's people who are willing
to sell themselves out for any price.

:24:15
The test of time
has kept this film alive

:24:21
in people's interest and excitement
:24:26
and fascination.
:24:28
The film's a masterpiece.
:24:30
It looks more real today
than it did then.

:24:33
It looks less Gothic,
less melodramatic,

:24:38
less flamboyant.
:24:40
One of the interesting things
about Billy Wilder

:24:44
is that he bridges Old Hollywood
and New Hollywood.

:24:48
He's got all the grace, the structure,
the beautiful language,

:24:53
the careful screenplay
and image construction,

:24:56
with the bitterness and cynicism
of the present.


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