1:36:03
- The rest's in the drawer.
- It's yours.
1:36:06
I'd take it, only it's too dressy
for a copy desk in Dayton, Ohio.
1:36:11
These are nothing. You can have
anything. What do you want?
1:36:16
Money?
1:36:18
You'd be throwing it away.
I don't qualify for the job any more.
1:36:22
You can't go. Max!
I can't face life without you.
1:36:29
- You know I'm not afraid to die.
- That's between you and yourself.
1:36:34
You think I made that up
about the gun, don't you? All right.
1:36:46
See? You didn't believe me.
You don't think I have the courage?
1:36:50
- Sure, if it makes a good scene.
- You don't care.
1:36:53
Hundreds of thousands will!
1:36:56
You'd be killing yourself to an empty
house. The audience left years ago.
1:37:00
- That's a lie. They still want me.
- No, they don't.
1:37:03
- What about DeMille?
- He was sparing your feelings.
1:37:07
- The studio only wanted your car.
- What?
1:37:10
DeMille didn't have
the heart to say. None of us has.
1:37:13
That's a lie. They want me.
I get letters every day.
1:37:19
You tell her, Max. Do her that favour.
Tell her there'll be no picture.
1:37:24
The only fan letters
are the ones you write.
1:37:27
That isn't true. Max!
1:37:30
Madame is the greatest star
of them all.
1:37:34
I will take Mr Gillis's bags to the car.
1:37:43
You heard him. I'm a star.
1:37:47
You're a woman of 50. Grow up.
1:37:50
There's nothing tragic about being 50,
unless you try to be 25.
1:37:54
The greatest star of them all.