:46:00
Almost gave the old signal. Remember?
:46:04
- Two shots, and then one.
- Two shots, and then one.
:46:09
- I used to hear them in my sleep.
- You've never forgotten it, not for a minute.
:46:13
Honey, where have you been?
:46:15
Don't you know what you did to me?
Why did you leave me?
:46:18
If I had stayed, the way it was going,
:46:20
how much longer
could we just have moments,
:46:22
just see each other out here?
:46:25
I was afraid I'd want more.
:46:28
And in this town,
I wasn't gonna do that to my family.
:46:30
Who's more important, them or me?
:46:32
- I should've figured that out.
- Who cares?
:46:34
You're back and we're together,
the two of us.
:46:37
- I'm leaving tomorrow night.
- Ill be here tomorrow afternoon, then.
:46:40
We can't go...
:46:43
We can't go back.
:46:45
Who says we can't?
:46:49
You wanna go right back to the old days
and so do I, Naomi.
:46:52
- So do I.
- Goodbye, Dutch.
:46:55
Ill be here.
Two shots and then one. And Ill be here.
:47:30
Erm...
:47:31
- Sara.
- Hello, Mrs Murdoch. Naomi.
:47:34
- How nice of you to come and see me.
- Well, I'm afraid, I came to ask a favour.
:47:38
- Oh?
- About the graduation tomorrow night.
:47:42
We always have a little entertainment
and I thought that perhaps you might...
:47:46
That I might appear.
:47:47
It would be such a favour to me
and you do recite so beautifully.
:47:51
That's very flattering,
but why do you need me?
:47:53
You must have plenty of
corn-fed talent to fill the bill,
:47:56
someone the good people
of this town wouldn't mind applauding.
:47:59
But that's just why, I mean...