:41:11
How do they expect me
to make these fast changes?
:41:15
- Haven't I done it right?
- Yes, but I want you out front.
:41:19
- Give me the dicky!
- You're doing wonderfully.
:41:23
I am not! Why don't they get me
a dresser? They could afford a dozen.
:41:29
- Do you want me to talk to Cook?
- Yes.
:41:31
Tell him to stop that understudy
hovering there like a vulture.
:41:36
- If you talked to Mr Dodd...
- You talk to him.
:41:39
Tell him to keep that guy out front.
Get me some new tissue.
:41:43
I will, right after rehearsal.
:41:46
- I'm sorry I stepped on your line.
- Think nothing of it.
:41:51
- I was so nervous.
- What about? It's just another show.
:41:56
Where would you find
a star as sweet as that?
:41:59
What a wonderful guy.
:42:02
I'd like to hold the orchestra
for about a half-hour longer.
:42:07
- Can't you do it in the morning?
- Can I take the doohickeys off?
:42:13
- Yeah, go ahead.
- There we are.
:42:16
- See you tomorrow.
- Paul mentioned something to me.
:42:19
- Eleanor is way overboard.
- I know she is.
:42:22
- I wasn't thinking about Eleanor.
- Don't you think I know?
:42:26
- I have some notes.
- We'll go over them tomorrow.
:42:30
Give the company a one o'clock call.
I'm going out for some fresh air.
:42:35
Then we'll discuss that spot.
Larry, hold Frank and Helen.
:42:40
Run the scene in front of the church.
Find out what caused the mix-up.
:42:58
You talked about the scenery
but not about our real problem.