:42:02
I'd like to hold the orchestra
for about a half-hour longer.
:42:07
- Can't you do it in the morning?
- Can I take the doohickeys off?
:42:13
- Yeah, go ahead.
- There we are.
:42:16
- See you tomorrow.
- Paul mentioned something to me.
:42:19
- Eleanor is way overboard.
- I know she is.
:42:22
- I wasn't thinking about Eleanor.
- Don't you think I know?
:42:26
- I have some notes.
- We'll go over them tomorrow.
:42:30
Give the company a one o'clock call.
I'm going out for some fresh air.
:42:35
Then we'll discuss that spot.
Larry, hold Frank and Helen.
:42:40
Run the scene in front of the church.
Find out what caused the mix-up.
:42:58
You talked about the scenery
but not about our real problem.
:43:03
Elgin was terrible.
:43:05
That's why you go out of town.
Actors improve. The scenery can't.
:43:10
If he spoke the script,
I never heard it.
:43:13
He trips on a rug, there's no chair,
the door won't open.
:43:17
What do you expect of him?
:43:20
Besides, his wife was backstage
during the performance.
:43:24
- She's enough to upset anyone.
- What are you going to do?
:43:28
- Lower the boom on her.
- He's your problem. I got my own.
:43:33
The union insists I take on
three more stagehands.
:43:36
Mr Cook, excuse me.
May I ask you something?
:43:42
- Do you think Frank needs a dresser?
- No, but I suppose you do.
:43:46
Well, those two fast changes.
It's a very large part, after all.
:43:52
Bernie, every time you nod your head
like that, it costs us $200.
:43:58
You're going to nod us
out of business.