:54:00
- You have a good thing on your hands.
- Yeah, sure. Sure.
:54:05
- You mean the club?
- Yeah. Take a look at it.
:54:07
It's packed. Never been
more than four people in here.
:54:10
Yeah, I guess you're right.
:54:13
Mr. Snyder, can I get
some backstage shots?
:54:15
Mr. Loomis said that you're the only one
that can okay it.
:54:20
Yeah, sure. Sure, why not?
:54:23
Only not during the floor show.
That's one of my rules.
:54:26
- Thanks.
- Think nothing of it.
:54:28
- What'd you do to the place?
- Pretty nifty.
:54:30
- Who'd you get in? Decorators?
- I got myself in, that's who.
:54:33
- Think you've broken the jinx on this spot?
- There was never no jinx on this spot.
:54:38
- Just of lot of jerks running it.
- Got big plans for it?
:54:41
When I get through, you'll need
a reservation a month in advance.
:54:45
- You're counting on keeping it running?
- Through thick and thin.
:54:48
No matter what happens at my trial.
:54:50
That's just in case you're being
too polite to ask.
:54:56
Mr. Snyder, does Miss Etting's appearance
here tonight...
:55:00
...mean you two are getting back together?
- No.
:55:03
Ms. Etting is just fulfilling
a contractual obligation.
:55:06
You got that? A contractual obligation.
She's gonna be paid like any other artist.
:55:11
Kind of surprising, in view
of what's happened.
:55:13
What's surprising about it?
Business is business.
:55:16
Put down that I've got the greatest
respect for Miss Etting as an artist.
:55:21
Boys, step up to the bar
and have a drink.
:55:23
And, Georgie, see to it my pals
get everything they want.
:55:26
Check your hats, please.
:55:29
Good evening, Mr. Snyder.