:41:01
Hey. Have you got any
maraschino cherries on you?
:41:05
Never mind.
:41:12
Maraschino cherries?
:41:23
What's going on here?
:41:25
Daphne. Daphne, where are you?
:41:29
It's not my fault. l didn't invite 'em.
:41:32
Come on, girls, break it up.
:41:34
You heard Josephine.
Girls. Everybody out.
:41:39
- Not you, Sugar.
- I'm going to get some ice.
:41:42
Get out.
:41:44
That's right, Sugar.
Now the rest of you. Out.
:41:48
- Come on in. The water's fine.
- Have a Manhattan.
:41:51
- Pipe down. We'll all be fired.
- Sugar. Don't leave me here alone.
:41:54
Come on, kids. It's two o'clock.
:41:57
You've had your fun.
The party's over. Everybody go home.
:42:01
- What's this?
- Josephine, over here before it melts.
:42:10
Put it here.
:42:13
Sugar, you're gonna
get into a lot of trouble.
:42:15
You'd better keep a lookout.
:42:17
lf Bienstock catches you again...
:42:19
What's the matter with you, anyway?
:42:21
I'm not very bright, l guess.
:42:23
l wouldn't say that. Careless, maybe.
:42:26
No, just dumb. lf l had any brains, l
wouldn't be with this crummy girls' band.
:42:30
Well, why'd you take this job?
:42:32
l used to sing with male bands,
but l can't afford it any more.
:42:35
Have you ever been with a male band?
:42:37
Who, me?
:42:39
That's what I'm running away from.
:42:41
l worked with six in the last two years.
Oh, brother.
:42:44
- Rough?
- I'll say.
:42:46
- You can't trust those guys.
- l can't trust myself.
:42:49
l have this thing about saxophone players.
:42:52
Especially tenor sax.
:42:56
- Really?
- l don't know why, but they curdle me.
:42:59
All they have to do is play eight bars of
''Come To Me, My Melancholy Baby''