:38:01
But the other kind of family is factions, the
Rojos and the Baxters, which is a Mafia,
:38:06
a clan, a faction, the dark side of
family life - two visions of the family.
:38:12
Female characters, Leone's uneasy with.
:38:14
He doesn't really know how
to fit them in, so they're treated as...
:38:19
In the factions, as one of the boys.
:38:21
Basically, it's a kind of
adolescent view of sexuality,
:38:25
which you imagine was pitched
at the audiences in southern Italy,
:38:29
who had a low boredom threshold
:38:31
and talked unless something
happened every ten minutes.
:38:35
It's that kind of audience
that this film was pitched at.
:38:38
Hence there's action every ten minutes.
:38:41
Hence you keep the audience
on their toes all the time,
:38:44
assume the audience needs
to be entertained constantly.
:38:47
And I think the sexuality of the movie
makes that assumption as well.
:39:13
This was the museum
in Madrid, the courtyard.
:39:16
This museum of rural folkloric life
which was a ready-made.
:39:20
The crew went in and shot inside it.
:39:23
Other Italian Westerns
used the same location.
:39:40
Not too many stunt men around.
The budget couldn't run to it.
:39:49
The crosscutting between
the Rojos riding to the cemetery
:39:53
to see what's going on
with the two dead soldiers,
:39:57
and Eastwood doing a bit of detective
work back at the Rojo residence,