1:34:00
It's gonna be the end of the show, and out
we go from the cinema into the real world.
1:34:05
The realism of the
American Western was different.
1:34:07
It related to everyday life.
This is myth about myth.
1:34:11
And the great Italian novelist,
Alberto Moravia,
1:34:15
wrote about this.
1:34:17
"There is no West in Italy,
no cowboys and bandits, no frontier,
1:34:20
no gold mines or pioneers. "
1:34:23
"The Italian Western was born
not from memory,
1:34:26
but from the instinct of filmmakers who
were in love with the American Western. "
1:34:31
The Hollywood Western
was born from a myth.
1:34:34
The Italian one is born
from a myth about a myth.
1:34:38
So this is a movie about the Western,
1:34:40
transposed into an Italian
and Spanish cultural context.
1:34:44
In one sense it's not a Western,
it's a super-Western. It's about a Western.
1:34:48
And at the end of it, you're reminded
of its artificiality as we leave San Miguel.
1:34:54
And as Morricone's
main title track takes over,
1:34:58
Eastwood gets back on his mule,
a big man on a little animal,
1:35:02
like Shane riding off into the hills,
like Young Mr Lincoln.
1:35:06
Like Jesus riding into
Jerusalem on Palm Sunday.
1:35:09
Off he goes on his mule
for the end of the show.
1:35:13
Curtain down.
You could imagine this being in a theatre.
1:35:19
No one's alive in San Miguel
except the chorus.
1:35:42
Visiontext Subtitles: Paul Burns
1:35:44
EN