3:54:00
Nothing!
You disappear, it's nothing!
3:54:02
- Could I have some whisky?
- Here, cognac.
3:54:05
Thank you.
3:54:09
What happened?
3:54:11
I don't know. I was talking to you
on the phone, remember?
3:54:16
Then I heard Jarré let some men
into the apartment.
3:54:19
And then someone must have
hit me on the head. Feel that.
3:54:24
- Oh, my God!
- Yes.
3:54:26
Then the next thing I knew I was
sitting in a car between two men.
3:54:29
They stopped to make a phone call
3:54:30
because they didn't know
what to do with me.
3:54:33
They thought I was still unconscious.
3:54:36
When the car door opened,
I jumped out and ran.
3:54:39
There were two shots.
3:54:41
You might have been killed.
3:54:43
Did you go to Jarré's apartment?
3:54:45
Yes, he is dead.
3:54:47
Dead? Shot by those men?
3:54:50
They made it look like suicide.
3:54:53
A window was open and his body
was lying in a courtyard.
3:54:56
Who could they have been?
3:54:57
Messengers from Columbine,
the head of Topaz.
3:55:01
Why?
3:55:04
I must have shaken Jarré
at that lunch. He became a risk.
3:55:10
Then Columbine
must have been there, too.
3:55:13
Yes.
3:55:16
But... who?
3:55:19
- It hurts.
- Can't be helped.
3:55:21
Don't you think
we should get a doctor?
3:55:22
No, not yet.
3:55:25
It may involve us with the police.
3:55:27
I just remembered.
I might get involved.
3:55:30
How?
3:55:32
My sketchbook. I left it there.
3:55:34
No, I brought it away with us.
3:55:38
- Here.
- Thank you.
3:55:41
Look, Michèle.
3:55:43
A portrait of a dead traitor.
3:55:47
(Devereaux) lf you had arrived later
you would never have seen him.