:07:02
Let the children play first,
then the champions.
:07:09
- You can change in the Hutte.
- What's that?
:07:12
The cabana.
Dont you know German?
:07:15
Very bad. Learn it at once!
:07:19
Aren't you playing?
:07:21
Later. I don't feel like it now.
:07:26
Do you like him?
:07:28
- Do you?
- Oh, he's not my type.
:07:31
- Who is he?
- A great friend of Alberto.
:07:34
Milan, college, love affairs.
:07:36
He works in industry here.
:07:38
- How are you?
- Fine. And you?
:07:40
Fine.
:07:42
- Did you get your degree?
- In February. And you?
:07:45
- Me too.
- In Venice?
:07:48
- Yes, but will they let us graduate?
- I hope so.
:07:51
Where have you been hiding?
:07:53
I saw you
at the Venice Cultural Contests.
:07:56
I knew it was you.
You haven't changed.
:07:58
Why didn't you come over?
It would have been nice.
:08:02
I don't know.
:08:04
Somehow, I finally decided not to.
:08:06
What's your thesis on?
:08:08
English. Emily Dickinson.
:08:10
The 1 9th-century American poet.
:08:13
A fantastic woman.
An old maid like me.
:08:16
Here we are!
Jor!
:08:20
Good dog!
:08:26
Beautiful,
but maybe a bit silly?
:08:29
Perhaps.
What do you care?
:08:31
Oh, me...
:08:34
I've always liked women
of Gladys' type.
:08:36
Beautiful, stupid,
and sufficiently--
:08:39
Whorish.
:08:42
Do you like Ferrara?
:08:44
It's not nearly as dead
as you told me it was.
:08:48
It's lively.
Lots of interesting people.
:08:51
Especially among the proletariat...
:08:53
in the so-called working class.
:08:56
But the middle class
I don't care for.
:08:59
They're all of them
more or less Fascists.