:31:02
with Sue Gauthier.
:31:05
And so one morning, I walked
into that room very quickly
:31:09
and started to say, "Sue, I need
to really see Mr Hitchcock."
:31:14
And there he was.
:31:16
And I introduced myself to him,
and we sat there for a few minutes.
:31:20
I told him who I was,
what I had done recently,
:31:24
and he then invited me into his office.
:31:27
And after that, it was every morning
at 9:00.
:31:34
Hitchcock several times
discussed with me what the theme
:31:37
of the movie was
and how it was structured.
:31:40
It was two separate stories
about two different pairs of people
:31:44
and how they eventually
crisscross and pass each other.
:31:47
And he was fascinated by that.
And that really is the movie.
:31:50
- Where ya goin'?
- Home to my own bed to get sleep.
:31:54
No. You're not.
:31:56
Blanche is that all
that you've ever got on your mind?
:31:59
What are you saving it for, a rainy day?
:32:01
You never know when
you're gonna need it.
:32:03
(Kazanjian) We've always known that
Hitchcock's dialogue is very witty.
:32:06
Whether it be on the set
or in development,
:32:09
I could see him create dialogue, whether
it be with the writer or himself,
:32:13
and how he would change dialogue.
:32:15
He was very witty, very clever,
:32:17
and some of the sexual
innuendoes in the film,
:32:20
I must tell you,
went right over my head.
:32:23
You're not going to have to worry
about my performance tonight.
:32:26
As a matter of fact,
on this very evening,
:32:29
you're going to see
a standing ovation.
:32:32
Tonight, when I get home,
we will, uh...
:32:37
Right. Very nice. Plot our strategy.
:32:40
But it's true, if you listen to that film,
:32:43
see it once or twice,
there are many lines of dialogue
:32:48
which are very sexual.
:32:51
I'm sick and tired of having you
have me by the crystal balls.
:32:54
- Fix me another one of these.
- You already got one.
:32:58
- We only got two hours to get there.
- I'll eat in the car.