:35:03
how we would shoot the car chase,
:35:06
he wanted that to be a second unit,
and I wanted him to shoot it.
:35:10
- (Tyres Screeching)
- George, what's the big hurry?
:35:15
And he asked me one question. He says,
"Well, how do you shoot that?"
:35:19
And I said,
"Well, you get an insert car
:35:22
and you hook it up to the car and you
go up to Angeles Crest Highway
:35:25
where it was designed to be shot,
and you shoot it."
:35:29
And he says,
"And where does the director sit?"
:35:32
And I said,
Well, on the back of the insert car."
:35:36
And he said,
"Precisely. Have I made my point?"
:35:41
Which was him telling me he can't do
that rigorous type of shooting.
:35:46
And from then on, I could see that he
couldn't do anything that was taxing,
:35:51
and that became a second unit.
:35:54
(O'Connell)
My mother also had been ill.
:35:56
She had cancer, but she recovered.
But then she'd had a stroke too.
:36:01
Alma was Hitchcock's wife, and he was
very devoted to her. He loved her.
:36:05
She came by occasionally
during preproduction
:36:09
and came by a couple
of times during filming.
:36:12
She used to come by on Tuesdays
and leave the dog
:36:17
and sometimes have lunch with him.
:36:20
She was very much a part of him, and...
:36:23
she was very much a part
of selecting projects for him,
:36:29
and he would always consult
with her on the pictures.
:36:32
Never outwardly on the set
would she ever say anything,
:36:35
but I know behind the scenes
:36:37
she was very involved.
:36:44
(Kazanjian) Casting for Hitchcock
was a little different
:36:47
than most directors or producers,
:36:49
and he saw a great many films.
:36:52
And Bill Batliner, who was head
of feature casting at Universal Studios,
:36:57
would bring in films for Hitchcock
to see in his private projection room.