:30:02
Gentlemen.
:30:10
Thank you.
:30:20
Boy.
:30:22
Mr. Stahr!
:30:25
Hey, that's a good spiral
you got there.
:30:27
- Hello, Monroe.
- Hi, Dan.
:30:28
- Sir.
- Yes, Wylie.
:30:30
Hello, Mr. Stahr.
:30:31
You going somewhere?
:30:32
Stage four.
:30:33
Listen, have you read my script?
:30:36
Uh, yes, l have.
:30:37
Well, what do you think of it?
:30:40
l think it's
an interesting script.
:30:42
Uh-huh.
:30:44
How come you have
two other writers on it?
:30:46
- Take it away!
- Who told you that?
:30:47
They're friends of mine.
:30:49
They didn't know l was doing it.
:30:51
l didn't know
they were doing it.
:30:52
We all found out this morning.
:30:54
l'm sorry.
What can you do?
:30:56
That's the system.
:30:57
We're back!
:30:59
You invented that system.
:31:00
You've distorted the girl.
:31:01
By distorting the girl,
you've distorted the story.
:31:04
We're back.
:31:07
How?
:31:08
How have l distorted
the damn girl?
:31:10
l'm not interested
in your fantasies.
:31:13
Eddie.
:31:15
Eddie!
:31:16
Hello, Monroe.
:31:17
Hi.
:31:18
Listen, two people
at the sneak preview
:31:20
complained that Morgan's fly
was open for half the picture.
:31:23
What?
:31:24
Oh, it's probably just a couple
of seconds, but l want you
:31:27
to run the picture
until you find the footage.
:31:28
Have some people with you.
Someone will spot it.
:31:30
Sure, l'll take care of it.
:31:31
Okay.
:31:33
Hi, Cooke.
:31:34
You've given her a secret life.
:31:36
She doesn't have a secret life.
:31:37
You've made her a melancholic.
:31:39
She's not a melancholic.
:31:40
Mr. Stahr.
:31:41
How do you know?
:31:43
Because l paid 50,000 bucks
for that book,
:31:44
and because that's
the way l see it.
:31:45
- Mr. Stahr.
- Thank you.
:31:48
lf l want to do a Eugene O'Neill
play, l'll buy one.
:31:50
The girl stands for health,
vitality, love.
:31:56
You've made her a whore.