:31:00
You've distorted the girl.
:31:01
By distorting the girl,
you've distorted the story.
:31:04
We're back.
:31:07
How?
:31:08
How have l distorted
the damn girl?
:31:10
l'm not interested
in your fantasies.
:31:13
Eddie.
:31:15
Eddie!
:31:16
Hello, Monroe.
:31:17
Hi.
:31:18
Listen, two people
at the sneak preview
:31:20
complained that Morgan's fly
was open for half the picture.
:31:23
What?
:31:24
Oh, it's probably just a couple
of seconds, but l want you
:31:27
to run the picture
until you find the footage.
:31:28
Have some people with you.
Someone will spot it.
:31:30
Sure, l'll take care of it.
:31:31
Okay.
:31:33
Hi, Cooke.
:31:34
You've given her a secret life.
:31:36
She doesn't have a secret life.
:31:37
You've made her a melancholic.
:31:39
She's not a melancholic.
:31:40
Mr. Stahr.
:31:41
How do you know?
:31:43
Because l paid 50,000 bucks
for that book,
:31:44
and because that's
the way l see it.
:31:45
- Mr. Stahr.
- Thank you.
:31:48
lf l want to do a Eugene O'Neill
play, l'll buy one.
:31:50
The girl stands for health,
vitality, love.
:31:56
You've made her a whore.
:32:00
Now, you can work
with Beth and Charlie on this,
:32:03
or l'll take you off
the subject.
:32:05
lt's up to you.
:32:09
So how do you want the girl?
:32:10
Perfect.
:32:13
Mm-hmm.
:32:18
Gee.
:32:30
And l always have admired you.
:32:33
Were you wearing a silver belt
last night?
:32:36
Yes, l was.
:32:41
l'm glad we got you.
:32:46
We didn't have much to go on.
:32:48
Oh, really?
:32:52
Who are you?
:32:54
My name is Monroe Stahr.
:32:57
l'd like to see you.
:32:59
There's a reason.