:41:03
Ruggero shoots with three cameras,
easily.
:41:07
He knows exactly what he wants,
he's very fast.
:41:11
He's a director of A series movies.
:41:15
I discovered he was
a great professional.
:41:18
And that, I never found again.
:41:22
When I see so many people
who are praised,
:41:26
crazies,
:41:29
who don't know how to use a camera,
who do travellings
:41:34
or use a crane without knowing
their real effect.
:41:39
Just to show that they can use it.
:41:43
I'm talking about people who received
prices at the Cannes Film Festival.
:41:47
Here, we're dealing with
a real professional.
:41:51
As Americans are.
:41:55
He's an old fox.
:41:58
He's competent,
and clever.
:42:02
He's also particularly friendly.
:42:06
But I'm not a woman,
I can't be in love with him!
:42:14
His creativity is exilaring,
he doesn't plan anything in advance.
:42:20
It's only once on the field that
he feels something from the place
:42:24
and from the actors.
:42:26
He has a great capacity
for exaltation and improvisation
:42:32
which follow the general outline
:42:36
of the direction.
:42:38
Ruggero reserves the right
to make modifications,
:42:42
to invent things at the last moment.
:42:46
He doesn't work with a predefined
outline or story-board.
:42:50
He works through emotions.
:42:54
For him, that's the only way
to convey emotion.
:42:57
His great strengh is to be
'in charge' on the set