:42:02
He's also particularly friendly.
:42:06
But I'm not a woman,
I can't be in love with him!
:42:14
His creativity is exilaring,
he doesn't plan anything in advance.
:42:20
It's only once on the field that
he feels something from the place
:42:24
and from the actors.
:42:26
He has a great capacity
for exaltation and improvisation
:42:32
which follow the general outline
:42:36
of the direction.
:42:38
Ruggero reserves the right
to make modifications,
:42:42
to invent things at the last moment.
:42:46
He doesn't work with a predefined
outline or story-board.
:42:50
He works through emotions.
:42:54
For him, that's the only way
to convey emotion.
:42:57
His great strengh is to be
'in charge' on the set
:43:04
I'm a collaborator,
:43:07
who works with the director.
:43:10
But he's the only one responsible
:43:13
of the music, of special effects,
of the actors and everything.
:43:18
He's the one who pays,
the one who goes to jail.
:43:20
So it is normal that
Ruggero Deodato goes to jail!
:43:27
CENSORSHIP
:43:32
When we began,
:43:34
we decided to shoot in English.
:43:39
Simply in order to find
four American actors,
:43:44
or at least foreigners,
:43:47
who could give credibility
to this type of movie.
:43:51
We left
:43:53
thinking that we would shoot
the movie in New York.
:43:56
But we kept in mind that
:43:58
to give an Italian nationality
to the movie,