:55:04
That's why our generation
:55:07
decided to do same, but
all by itself.
:55:12
They didn't do anything
by themselves.
:55:16
I don't think it is
about primitivism.
:55:21
the strenght of Deodato
at the time
:55:24
is difficult to recover nowadays.
:55:30
We shot there,
in a rough and cruel world,
:55:34
where natives did certain things
out of necessity.
:55:38
There was a certain Ducke
:55:41
who really ate monkey brain.
:55:46
He opened the skull with a machete.
:55:49
I think this doesn't exist anymore.
:55:54
This kind of movie,
Ruggero's,
:55:59
Gualtiero's or Franco's,
is stylish.
:56:04
They created a style.
Then they taught
:56:09
to other directors,
other cinematographers,
:56:13
to direct in certain ways.
:56:15
These movies should belong,
they should...
:56:22
Cinecittà and other
cinematographic schools should
:56:26
offer the possibility
:56:28
to those who love cinema,
to those who want to do cinema,
:56:32
to analyze, to study
:56:35
this kind of movies, from which
we have so much to learn.
:56:41
Italian cinema is dead.
:56:43
Even if every year,
we are told of its resurrection.
:56:47
It's like Easter.
:56:50
It goes back to life like
on Easter Monday.
:56:55
Cinema wouldn't be dead
:56:58
if politics had done something
at the right moment,