:56:04
They created a style.
Then they taught
:56:09
to other directors,
other cinematographers,
:56:13
to direct in certain ways.
:56:15
These movies should belong,
they should...
:56:22
Cinecittà and other
cinematographic schools should
:56:26
offer the possibility
:56:28
to those who love cinema,
to those who want to do cinema,
:56:32
to analyze, to study
:56:35
this kind of movies, from which
we have so much to learn.
:56:41
Italian cinema is dead.
:56:43
Even if every year,
we are told of its resurrection.
:56:47
It's like Easter.
:56:50
It goes back to life like
on Easter Monday.
:56:55
Cinema wouldn't be dead
:56:58
if politics had done something
at the right moment,
:57:02
if this country had been
entrusted to entrepreneurs.
:57:07
They were made to flee.
Sophia Loren was put in jail.
:57:12
This country is full of
people who stole
:57:15
millions and millions
and who go freely.
:57:18
Grimaldi, De Laurentis, Ponte
were forced to flee...
:57:23
Those who represented
Italian cinema.
:57:26
There was cinema when
there were editors.
:57:30
Editors lent money,
opened theatres.
:57:34
You didn't have to face
a stupid employee
:57:38
brought in by a political party,
:57:41
who doesn't understand anything
but who tells you about cinema
:57:46
while he hardly got out
of a scientific circle.
:57:51
It seems so obvious!
:57:56
This movie really bears
an important lesson