Quella villa accanto al cimitero
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:08:01
of Eric Peterson's caIiber.
:08:03
I teII you boy.
:08:04
You're the onIy man who
:08:05
can keep this project from
going down the drain.

:08:08
Apart from the 5000 more
you're going to be earning

:08:11
per year.
:08:13
You were Peterson's protege
and aIso I beIieve,

:08:14
one of his best friends.
:08:16
I know you are itching to
cIear up his suicide.

:08:19
Tough one to expIain.
:08:21
But I know you'II get to the
bottom of it.

:08:23
WeII, I'II try.
:08:24
The important is that when
this huge project gets

:08:26
pubIished, it'II have just
your name on it.

:08:28
Think what authorship
can mean.

:08:30
Yeah, pubIish or perish.
:08:34
What do you think Eric
wouId have done

:08:35
in a situation Iike that?
:08:37
WeII, I don't know.
:08:39
No idea.
:08:42
Apprehensions?
:08:43
Yeah
:08:45
It's scary.
:08:47
He organized the project
:08:50
Got it underway
:08:52
And then for no reason...
:08:54
And abandoned everything...
:08:56
SIaughtered his mistress
:08:59
And there he was,
:08:59
researching suicide.
:09:03
The times we have to Iive in
:09:05
Taxi...
:09:13
WeII boy, when schooI's over
:09:15
I'II drive up there to see
ya.

:09:20
I adore New EngIand.
:09:22
I'II be Iooking forward to
it, sir.

:09:23
Bye bye.
:09:39
Norman, why my pIants?
:09:41
Pennie's gonna water them.
:09:42
They're pretty
:09:43
Oh, for good's sake.
:09:44
New EngIand's fuII of pIants
:09:46
Be carefuI. Give it to me.
:09:47
I don't trust Penny.
:09:48
What do you think?
:09:49
Everything here?
:09:50
I think it's aII here
:09:51
But I reaIIy don't know how
we're gonna fit it aII in

:09:53
Think positive.
:09:54
By the way,
:09:55
have you been to see
Mrs. Peterson?

:09:57
No.
:09:58
No need to.

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