:20:01
This'll be the one right here...
:20:04
that rammed himself.
:20:17
She says "Paul"
and then Paul drops down.
:20:23
Here you're watching
the big cat go catatonic.
:20:41
One of the things that happened
in the making of this film was
:20:46
I got seduced by a number of factors.
:20:51
One, of course,
was the lure of New Orleans.
:20:55
Another was the lure of
this girl here, Nastassia.
:20:59
And the other was
this whole kind of Jungian eroticism,
:21:07
this kind of notion of
:21:12
these primal creatures
that exist in our genetic memory
:21:17
that we used to fear
:21:22
and they still live on in our dreams.
:21:28
Now, the reason
there's such a variety of leopards,
:21:36
of cats in the film, is that the leopard
is both arboreal and nocturnal.
:21:43
It lives at night in the trees.
:21:45
So it's very hard to work with
and almost impossible to train.
:21:49
So you use a mountain lion
:21:52
which is a day animal
and not an arboreal animal
:21:56
and they can be trained.
:21:58
So that's why you have
sometimes mountain lions