:22:01
and sometimes leopards.
:22:12
St Charles here normally is...
:22:17
I don't think it's ever been this empty.
:22:20
This is normally a mass of tourists.
:22:24
I loved the idea of making it
absolutely empty
:22:27
and wetting it down -
:22:30
again going back to
the European feel of the film
:22:35
and of Nastassia.
:22:41
Marilyn here is a little tribute to Nando.
:22:53
This is sort of part of
the gay iconography.
:23:01
This was an old movie theatre
which had become a gospel church.
:23:06
We didn't actually...
:23:08
We lit that exterior in that wonderful way
:23:10
but this interior pre-existed,
Nando found this,
:23:15
this is a location.
:23:17
We didn't paint this ourselves,
we left it the way it was.
:23:21
But the only way to see it
was from up on high.
:23:24
At eye level
it wasn't a very interesting place.
:23:31
Even though I did shoot from eye level,
I didn't use those angles.
:23:36
Here's the Black Pope,
he was a disc jockey then
:23:40
who I fell in love with.
:23:42
He talked over all these songs
all the time.
:23:46
I would listen to the Black Pope
on radio all day long.
:23:50
She says, "Wear it out, Pope."
:23:52
He was a famous disc jockey
in New Orleans at that time.