:24:06
This woman was an extra, the taxi driver.
:24:10
She came in with those two glasses,
and looked terrific.
:24:13
When those things happen
you just have to use them.
:24:17
We are in New Orleans now,
:24:20
at one of the entrances -
:24:23
the older side entrance,
which we made into the main entrance.
:24:27
We will move from New Orleans
to the backlot at Universal shortly,
:24:33
as we go up into a matte painting.
:24:42
So the bottom is in New Orleans,
:24:44
the top is a painting of a set in California.
:24:50
Now we are back
in California on that set.
:24:54
We built this whole zoo
on the backlot.
:24:57
It was up for a number of years
as part of the Universal tour.
:25:10
We used the New Orleans Zoo,
:25:13
but you have to have
such total control of the environment,
:25:18
that, in the end, you had to build a zoo,
:25:23
or buy out a zoo.
:25:26
It's cheaper to build one.
:25:34
I love this shot,
it's the "ages of man" shot.
:25:37
It starts looking at Miss Kinski,
:25:42
and then drops down to the top tier here,
:25:47
where the secretaries work,
:25:51
and then below the secretaries
at the next level of evolution,
:25:58
are the primates,