:30:16
I think
:30:19
coming up is one of the most beautiful
:30:26
singles on Nastassia.
:30:29
I don't know whether it was the light
:30:32
or the day or whatever it was but...
:30:38
This shot right here, if I remember right.
:30:48
The story has been told and repeated
:30:53
but I did get involved with Nastassia
in the shooting of this,
:30:59
which complicated my life enormously.
:31:05
Maybe that's about all
we need to say about that subject.
:31:22
This was the first film
I directed that I didn't write.
:31:29
I had just figured out how to direct,
:31:32
the first two films -
Blue Collar and Hardcore -
:31:36
I was just trying to survive.
:31:38
By the time I did Gigolo I got a notion of
what it meant to think visually.
:31:44
And a lot of that was being
influenced by Mr Scarfiotti
:31:50
and I sort of went to school
at his visual school.
:31:54
I like this shot here, you start inside,
:31:59
back, and dolly down the street -