:37:01
it's easier to shoot your own
than buy them.
:37:06
This is a very famous chimp.
:37:08
Whatever movies you saw
around the late '70s and early '80s,
:37:12
this was the chimp you saw.
:37:32
Given the obsession with uniforms -
:37:36
earlier it was all the
Japanese outfits on the schoolkids,
:37:40
now it's the Boy Scouts -
:37:45
Scarfiotti, the way it worked was,
:37:48
he was in control of
the whole visual team,
:37:51
so that wardrobe came through
the production designer.
:37:55
Make-up came through
the production designer.
:37:58
A lot of set design and colour
:38:01
and a lot of what John Bailey did
came through the production designer.
:38:08
That's the European system
:38:12
and if you have
a very strong visual talent,
:38:15
you can work that way.
:38:17
Usually, it doesn't work that way
:38:19
because everybody has
their own little fiefdom.
:38:23
Wardrobe wants to be directly
responsible to the director,
:38:27
they don't want to have to go
through a production designer.
:38:36
This is a bar in the Quarter.
:38:41
I love this shot,
:38:43
both these girls are so beautiful,
:38:45
and their beauties are
of a completely different type.
:38:49
Different colouring, different clothes,
:38:52
different facial histories.